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--
-- Base de données: `joey86`
--

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-- Structure de la table `environnement`
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  `css` longtext NOT NULL,
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  `lasttime` varchar(25) NOT NULL default ''
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-- Contenu de la table `environnement`
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(1, '/* Page globale JV*/\r\nbody {background:url(images/BGstudies.jpg) repeat;}\r\n\r\nbody, #related_txt { background-color: #F9F9F9; }\r\n/* Background-fixed/Background image*/ \r\n#menu #m1 { background-color:#354CF9;} \r\n#menu #m2_a { background-color:#FF92B6; }\r\n#menu #m2_e { background-color:#979E93; }\r\n#menu #m2_w { background-color:#FF0000;}\r\n#m2_n { background-color:#FFFC00; }\r\n/* long texte separe */\r\n#works_txt { background-color:; }\r\n/*        \r\n        div_menu-background-color\r\n        div_submedu-color\r\n        div_submenu-background-color\r\n*/\r\na.friends { text-decoration:none; color:black;}\r\na.friends:hover { text-decoration:underline; color:green;}', '', '', '1407444023');

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-- Structure de la table `objet`
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CREATE TABLE IF NOT EXISTS `objet` (
  `id` int(40) NOT NULL auto_increment,
  `user_id` int(40) NOT NULL default '0',
  `time` int(20) NOT NULL default '0',
  `date` varchar(25) NOT NULL default '',
  `category` int(5) NOT NULL default '0',
  `img` text NOT NULL,
  `titre` varchar(250) NOT NULL default '',
  `texte` mediumtext NOT NULL,
  `related` text NOT NULL,
  `online` int(2) NOT NULL default '0',
  `permalink` varchar(250) NOT NULL default '',
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-- Contenu de la table `objet`
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INSERT INTO `objet` (`id`, `user_id`, `time`, `date`, `category`, `img`, `titre`, `texte`, `related`, `online`, `permalink`, `ordre`) VALUES
(1, 1, 1301615994, '01/04/2011', 6, '', 'Drawings', 'ink on paper\r\n\r\n', '', 0, 'drawings', 1),
(2, 1, 1301615994, '01/04/2011', 6, 'images/ph43.jpg||images/ph41.jpg||images/ph40.jpg||images/ph39.jpg||images/ph38.jpg||images/ph37.jpg||images/ph36.jpg||images/ph35.jpg||images/ph34.jpg||images/ph33.jpg||images/ph32.jpg||images/ph31.jpg||images/ph30.jpg||images/ph29.jpg||images/ph28.jpg||images/ph27.jpg||images/ph26.jpg||images/ph25.jpg||images/ph24.jpg||images/ph23.jpg||images/ph22.jpg||images/ph18.jpg||images/ph17.jpg||images/ph16.jpg||images/ph15.jpg||images/ph14.jpg||images/ph13.jpg||images/ph12.jpg||images/ph11.jpg||images/ph10.jpg||images/ph9.jpg||images/ph8.jpg||images/ph7.jpg||images/ph6.jpg||images/ph5.jpg||images/ph4.jpg||images/ph3.jpg||images/ph2.jpg||images/ph1.jpg', 'Temps morts', 'Black &amp;amp; white silver print\r\n9x9cm\r\n', '', 0, 'temps-morts', 2),
(3, 1, 1301615994, '01/04/2011', 6, 'images/afficheoscillation.jpg||images/52.jpg||images/43.jpg||images/42.jpg||images/36.jpg||images/28.jpg||images/25.jpg||images/21.jpg||images/19.jpg||images/18.jpg||images/17.jpg||images/16.jpg||images/15.jpg||images/14.jpg||images/13.jpg||images/11.jpg||images/10.jpg||images/9.jpg||images/8.jpg||images/6.jpg||images/5.jpg||images/4.jpg', 'Gig Posters', 'silkscreen, woodcut, linocut on paper\r\nvarious sizes\r\nprices on demand', '', 0, 'gig-posters', 3),
(4, 1, 1301615994, '01/04/2011', 6, 'images/makeup3.jpg||images/makeup1.jpg||images/makeup2.jpg', 'Make up', 'qlue,gold sequin\r\n60x500cm\r\nStayed during 6 month in the stairs of the school as the sequins felt all days.', '', 0, 'make-up', 4),
(5, 1, 1301615994, '01/04/2011', 6, 'images/dusttodust.jpg', 'Dust to Dust', 'amp,mic,light,dust\r\n\r\nExhibited during &amp;quot;Grand ouvert&amp;quot;', '', 0, 'dust-to-dust', 5),
(6, 1, 1301615994, '01/04/2011', 6, 'images/roadtoruin1.jpg', 'Road to Ruin', 'amp, guitar, sound, fringed cape\r\n100x80x80cm\r\n&amp;quot;Introducing the infinite falling drone&amp;quot;', '', 0, 'road-to-ruin', 7),
(7, 1, 1301615994, '01/04/2011', 6, 'images/dancefloor1.jpg||images/dancefloor2.jpg', 'Dancefloor', 'SpotLight,air fan,black wig\r\n\r\n', '', 0, 'dancefloor', 6),
(8, 1, 1301615994, '01/04/2011', 6, 'images/afterparty.jpg', 'Afterparty', 'LFE speakers,confettis,sound\r\nvarious sizes\r\n', '', 0, 'afterparty', 7),
(9, 1, 1301615994, '01/04/2011', 6, '', 'Stacks', 'Cardboard,light,mic,computer\r\nvarious sizes\r\nexhibited during &amp;quot;IMAGODROME&amp;quot; in february 2008', '', 0, 'stacks', 8),
(10, 1, 1301615994, '01/04/2011', 6, 'images/pipes2.jpg', 'Pipes', 'PVC,Chrome paint\r\nVarious sizes\r\ndiam 40', '13;19;23;', 0, 'pipes', 15),
(11, 1, 1301615994, '01/04/2011', 6, 'images/drum.jpg', 'Drum', 'Wood\r\n12x20cm\r\n', '', 0, 'drum', 10),
(12, 1, 1301615994, '01/04/2011', 6, 'images/amplification.jpg', 'Amplification', 'Silver Print,Wood\r\n76x76x17cm\r\n2008\r\n', '11;13;', 0, 'amplification', 11),
(13, 1, 1301615994, '01/04/2011', 6, 'images/hero7.jpg||images/hero8.jpg||images/hero9.jpg||images/hero10.jpg||images/hero22.jpg||images/hero11.jpg||images/hero12.jpg', 'Heroes', 'ink on paper\r\n16,5x23cm\r\nongoing series, 25 to date', '', 0, 'heroes', 12),
(14, 1, 1301615994, '01/04/2011', 6, 'images/wheels2.jpg', 'Wheels', '12  silver silkscreened posters (70x100cm) in a plywood crate\r\n75x105x4,5cm\r\n2009', '13;19;23;9;28;24;14;', 0, 'wheels', 13),
(15, 1, 1301615994, '01/04/2011', 6, 'images/1percentchopper.jpg', '1% Posters', 'offset print\r\n46x68cm\r\n', '', 0, '1_posters', 14),
(16, 1, 1301615994, '01/04/2011', 6, '&lt;iframe src=&quot;http://player.vimeo.com/video/2664129?portrait=0&quot; width=&quot;601&quot; height=&quot;453&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;', 'The Dreamers', 'Mylar, metal, enamel ink\r\n20&amp;quot;\r\n', '', 0, 'the-dreamers', 16),
(56, 1, 1301844992, '03/04/2011', 10, '', 'NEWS', '[a=http://lvl3media.com/artist-of-the-week-joey-villemont/][b]Interview in LVL3 [/b][/a]\r\n\r\n[i]SOON[/i]\r\n\r\n[b]Deep Screen[/b] (curating)\r\nParc Saint-Léger, Pougues-les-eaux\r\n[i]MARCH 2015[/i]\r\n\r\n[i]NOW[/i]\r\n\r\n[b][i]RELAAX.IN[/i][/b]\r\n[a=http://www.ofluxo.net/relaax-in-the-art-of-online-relaxation/]Relaax.in featured on O fluxo[/a]\r\n[a=http://dismagazine.com/disco/mixes/65887/origins/]Dis Magazine feat Relaax.in feat Karmelloz feat Andreas Ervik![/a]!!!!!\r\n\r\n[a=http://www.relaax.in]http://www.relaax.in[/a]\r\n[i]Andreas Ervik, André Piguet, Ditte Gantriis, Viktor Fordell, Carson Fisk-Vittori , Rachel de Joode, Joey Holder, Brendan Anton Jaks, Hannah Lees, Debora Delmar Corp, Fabio Santacroce, Ian Swanson, Luc Fuller, Tilman Hornig, Antoine Donzeaud[/i]\r\n\r\n[i][a=http://www.credac.fr/v2/fr/royal-garden-5]Vegetal Passion[/a][/i]\r\nOnline show curated as IOP with Camille le Houezec\r\nRoyal Garden 5 - Le Credac \r\n\r\n[i]PERMANENT[/i]\r\n[i]Stoned Happy Face[/i] in Piacé, France, \r\n\r\n;)', '8;', 1, 's-s-11', 0),
(100, 1, 1366148981, '16/04/2013', 6, 'images/net11small.jpg==Blue and brown swinger', 'Dancers', 'MDF, polyester, objects\r\n50 x 75 cm\r\n2013', '', 0, 'dancers', 62),
(99, 1, 1362251718, '02/03/2013', 6, 'images/GREENcrackSaucer.jpg==Green Crack Saucer||images/TERRACOTTAcrackURN.jpg==Terracotta Crack Urn||images/PURPLEcrackVASE.jpg==Purple Crack Vase||images/PINKPurplecrackbottle.jpg==Pink &amp; Purple Crack Bottle', 'The Cracks', 'Ink on paper.\r\n40x30 cm\r\n2012\r\n', '61;83;', 0, 'the-cracks', 61),
(97, 1, 1357295074, '04/01/2013', 6, 'images/safarichair.jpg', 'Nature Boy (furniture)', 'Safari Chair\r\nFabric, Rope, plastic, wood\r\n2013', '39;', 1, 'nature-boy', 59),
(98, 1, 1359419283, '29/01/2013', 6, 'images/cocktailpocket.jpg', 'Club Shirt (detail)', '@ Less si More Projects, Paris\r\nDecember 2012', '', 0, 'club-shirt-detail', 60),
(70, 1, 1304428713, '03/05/2011', 6, 'images/stone.gif', 'twps', '2011', '37;', 0, 'twps-gif', 44),
(71, 1, 1304428755, '03/05/2011', 6, 'images/pantheon2.jpg==Motorhead||images/montrouge2.jpg==Etorre Sottsass||images/pantheon4.jpg==Mr Happy Face||images/EVEL.jpg==Evel Knievel', 'Pantheon', 'wood\r\n2011', '43;', 0, 'pantheon', 43),
(17, 1, 1301615994, '01/04/2011', 6, 'images/primitive.jpg||images/primitiv.jpg', 'Primitive', 'Wood\r\n100x7cm\r\n', '', 0, 'primitive', 18),
(18, 1, 1301615994, '01/04/2011', 6, 'images/homemadebat.jpg||images/homemadebat4.jpg||images/homemadebat3.jpg||images/homemadebat2.jpg', 'Primitive (Home made)', 'Wood,house furnitures\r\n250x110x240cm\r\nThis installation was presented during &amp;quot;Montre à maman&amp;quot; exhibition in Bourges in 2009', '', 0, 'primitive-home-made', 19),
(19, 1, 1301615994, '01/04/2011', 6, 'images/motorhead1.jpg||images/motorhead2.jpg||images/motorhead3.jpg||images/motorhead4.jpg', 'Motorheads', 'ink on paper\r\n19x28,5cm\r\n', '', 0, 'motorheads', 10),
(20, 1, 1301615994, '01/04/2011', 7, 'images/LFDLN.jpg||images/LFDLN3.jpg||images/LFDLN4.jpg||images/LFDLN6.jpg||images/LFDLN5.jpg||images/LFDLN2.jpg', 'La Force de la Nature', 'Wood,felt,metal bars,felt,furnitures,TV set\r\n\r\nThis installation is part of the work in progress exhibition at White Corners in March of 2009', '', 0, 'la-force-de-la-nature', 1),
(21, 1, 1301615994, '01/04/2011', 6, 'images/STICKS.jpg', 'Shelter', 'Wood\r\n140x5cm\r\nAlso Part of the Altamont Base Camp', '', 0, 'shelter', 20),
(22, 1, 1301615994, '01/04/2011', 6, 'images/trickster03.jpg', 'Trickster Wall', 'MDF, wood, paint\r\n185x250 cm\r\nCollaboration with Shinichi Takeda. Exhibited durring &amp;quot;The Trickster&amp;quot;  in June 09 at White Corners', '', 0, 'trickster-wall', 22),
(23, 1, 1301615994, '01/04/2011', 6, 'images/motorised.jpg||images/motorised2.jpg||images/trickster01.jpg', 'Motorised subactivities', 'OSB, Coffee machine, PVC, water, synthetic animal urine\r\n1mx1mx150m\r\nColaboration with Shinichi Takeda. Exhibited durring &amp;quot;The Trickster&amp;quot; in June 09 at White Corners', '', 0, 'motorised-subactivities', 23),
(24, 1, 1301615994, '01/04/2011', 6, 'images/trophy.jpg||images/trickster06.jpg||images/trickster02.jpg||images/trickster05.jpg', 'Trophy', 'Silver foil on plaster, chains, coyote tails, fruits, mirror\r\n130x130x350 cm\r\n', '', 0, 'trophy', 24),
(25, 1, 1301615994, '01/04/2011', 6, 'images/1abstractt.jpg', '1% abstract', 'Black and white fabric\r\n160x70cm\r\n', '', 0, '1abstract', 25),
(26, 1, 1301615994, '01/04/2011', 6, 'images/pacificpalissade2.jpg||images/pacificpalissade3.jpg', 'Pacific Palissade', 'OSB, wood\r\n280 x 250 cm\r\n2009', '33;10;17;28;32;', 0, 'pacific-palissade', 26),
(27, 1, 1301615994, '01/04/2011', 6, 'images/affichechurch.jpg', 'Church of Anthrax', 'Sikscreen on paper, flour\r\n50x65 cm\r\nDrawing collaboration with Shinnichi Takeda', '', 0, 'church-of-anthrax', 21),
(28, 1, 1301615994, '01/04/2011', 6, 'images/IMG_090.jpg', 'Sunburst', 'Ash Wood, sun,burst,blanket,metalflake coated branches\r\n160 x 220 x 100 cm\r\n2010', '26;31;34;64;32;', 0, 'sunburst', 31),
(29, 1, 1301615994, '01/04/2011', 6, 'images/COLORHUT.jpg', 'Color hut', 'Paint\r\n250 x 250 cm\r\n2009', '43;71;42;32;', 0, 'color-hut', 29),
(30, 1, 1301615994, '01/04/2011', 6, 'images/MAKEUPWALL.jpg', 'Cave up Paintings', 'make up\r\nvarious sizes\r\n', '', 0, 'cave-up-paintings', 30),
(31, 1, 1301615994, '01/04/2011', 6, 'images/PRISMUSSOLSTICECAMP.jpg', 'Prismus Solstice Camp with woods', 'textile, dyed string, paper, glass bottle, Woods record sleeve\r\n200x200x300cm\r\n', '27;29;1;5;40;26;32;', 0, 'prismus-solstice-camp-with-woods', 31),
(32, 1, 1301615994, '01/04/2011', 6, 'images/SUNSETstring.jpg', 'Sunset Strings', 'dyed strings, nails\r\nvarious sizes\r\n2010', '26;28;', 0, 'sunset-strings', 32),
(33, 1, 1301615994, '01/04/2011', 6, 'images/MEGALOFIN.jpg', 'Megalofin', 'wood\r\n40x27cm\r\n2010\r\n', '10;17;', 0, 'megalofin', 33),
(34, 1, 1301615994, '01/04/2011', 6, 'images/Strangers-in-the-woods.jpg', 'Strangers in the woods', 'wood, plastic, wool blanket\r\n130 x 50 x 30 cm\r\n2010\r\n', '28;68;', 0, 'strangers-in-the-woods', 34),
(35, 1, 1301615994, '01/04/2011', 6, 'images/bookedge.jpg', 'Fantastic Architecture', 'ink on paper\r\n56 x 76 cm\r\n2010\r\n\r\n', '', 0, 'fantastic-architecture', 35),
(36, 1, 1301615994, '01/04/2011', 6, 'images/IMG_1980.jpg||images/cheshire.jpg', 'Cheshire jumper', 'jumper\r\n2010', '', 0, 'cheshire-jumper', 36),
(37, 1, 1301615994, '01/04/2011', 6, 'images/twpstr.jpg||images/WPS.jpg||images/IMG_2013.jpg||images/TWSS.jpg', 'The West Princes Stone', 'MDF, perspex, foam, concrete\r\n120 x 100\r\n', '35;61;70;', 0, 'the-west-princes-stone', 37),
(38, 1, 1301615994, '01/04/2011', 6, 'images/sa1.jpg||images/sa2.jpg||images/sa3.jpg', '(Surnatural Architecture)', 'wood, plastic, textile, glass\r\n\r\n', '', 0, 'surnatural-architecture', 38),
(39, 1, 1301615994, '01/04/2011', 6, 'images/nb1.jpg||images/nb2.jpg', 'Nature Boy (Loïc)', 'Performance\r\n\r\n5 Nirvana songs evocating Nature, sang and played by a fan in the exhibition space.', '', 0, 'nature-boy-loic', 39),
(40, 1, 1301615994, '01/04/2011', 6, 'images/IMG_0092.jpg||images/revlist.jpg', 'Les Rêveurs', 'Mylar, metal, enamel ink, setlist\r\n20&#039;&#039;\r\n2010', '16;', 0, 'les-reveurs', 39),
(41, 1, 1301615994, '01/04/2011', 6, 'images/impala1.jpg', 'Impala Celebration', 'Tin foil, dyed string, fur\r\n70x50cm\r\n2010', '31;32;', 0, 'impala-celebration', 40),
(42, 1, 1301615994, '01/04/2011', 6, 'images/COLOR.jpg||images/IMG_0556.jpg||images/IMG_0558.jpg||images/IMG_0561.jpg', 'Season skates', 'Wood, paint\r\n20x60cm\r\n\r\nEach skateboard has been skated for one season in France and United Kingdom.', '23;26;', 0, 'season-skates', 29),
(43, 1, 1301615994, '01/04/2011', 6, 'images/markings.jpg||images/markings2.jpg||images/markings3.jpg||images/markings4.jpg', 'Arrow', 'Spray paint\r\nin-situ (France)\r\n2010\r\n', '29;', 0, 'arrow', 42),
(45, 1, 1301616177, '01/04/2011', 1, '', 'Website', 'All images © Joey Villemont 2012.\r\nSite created with Thibaut Villemont', '', 1, 'website', 0),
(46, 1, 1301616177, '01/04/2011', 1, '', 'Bio', '[b]JOCELYN  VILLEMONT[/b]\r\n\r\nFR 1986\r\nLives and works in Glasgow, UK\r\n\r\n[b]Education[/b]\r\n2011 - MFA - Glasgow School of Arts \r\n2009 - DNSEP -  ENSA Bourges \r\n\r\n[b]Solo exhibitions[/b]\r\n2014 - Studies for a Collection - Intermedia/CCA - Glasgow\r\n2013 - Relax - The Project Room - Glasgow\r\n2011 - Hard Times - Collective Gallery - Edinburgh\r\n\r\n[b]Selected Group exhibitions[/b] \r\n2014 - Ce qui sépare - Curated by Bruno Peinado, FRAC Loire Atlantique, Carquefou\r\n2014 - Display Mediating Landscape - Curated by Flip Projects - Sala Murat - Bari\r\n\r\n2013 - Plus Jamais seul - Standards - Rennes\r\n2013 - On the Rocks - Curated by Candice Jacobs - The Attic, Nottingham\r\n2013 - Faire le Mur - Balleapop - Bidart\r\n2013 - Cocktail - The Space, Nottingham Contemporary, Nottingham \r\n2013 - Exposition pour un arbre - curated by Mathieu Mercier - Jardin botanique  de Bordeaux\r\n\r\n2012 - Accidentally on Purpose - Quad - Derby/[a=http://www.accidentalpurpose.net/]Online[/a]\r\n2012 - Quinzaine Radieuse - Piacé le Radieux - Piacé\r\n2012 - Les Possédé(e)s - curated by Dorothée Dupuis - Triangle - Marseille\r\n2012 - Glueballs and Winos - The Project Room - Glasgow\r\n2012 - Castling - Curated by Extra Special People - [a=http://castlingbillboard.co.uk/]Online[/a]\r\n2012 - Lightness - Less is More Project - Paris\r\n\r\n2011 - Grégaire - curated by Mathieu Cénac &amp; Lucie Orbie - Nofound  - Paris\r\n2011 - Please do not disturb - Less is more projects - Paris \r\n2011 - Split - Sommer &amp; Kohl, Arratia Beer - Berlin \r\n2011 - Voices Green and Purple - curated by Sophie Vinet - Les Bains douches - Alençon \r\n\r\n[b]Curator/ selected shows [/b](as It&#039;s our Playground with Camille Le Houezec) \r\n2014 - Screen Play - SWG3 Gallery - Glagsow\r\n             [i]A show of documentation of artwork with  Kathryn Andrews, Brendan Anton Jaks, Eva Berendes, Simon Denny, Carson Fisk-Vittori, Patrick Hill, Tilman Hornig, Dan Rees, Philipp Timischl, Anne de Vries.[/i]\r\n2014 - La Chose Encadrée - SWG3 Gallery - Glasgow\r\n            [i]Gabriele Beveridge, Paul Cowan, Michael Krebber, Landon Metz, Jesse Moretti[/i]\r\n\r\n2013 - Vegetal Passion - Royal Garden 5 - CREDAC - Ivry sur Seine\r\n2013 - Performance Fetish - SWG3 Gallery - Glasgow\r\n            [i] Bryan Dooley, Sebastian Jefford, Mathew Parkin, Kay Walkowiak[/i]\r\n2013 - The Sunday Curators - SWG3 Gallery - Glasgow\r\n             [i]Claire Barclay, Florent Dubois, Andreas Ervik, Mathieu Mercier, Flore Nové Josserand, Owen Piper, Josué Rauscher, Shinichi Takeda, Pedro Wirz[/i]\r\n\r\n2012 - Last Chance - SWG3 Gallery - Glasgow\r\n             [i]Rachel Admas, Tom Godfrey, James Hutchinson, Lorna Macintyre, James McLardy, Michael Stumpf, Hayley Tompkins &amp; Sue Tompkins[/i]\r\n2012 - Easy Living - Less is More Projects - Paris\r\n             [i]Laura Aldridge, James Clarkson, Nick Evans, Mick Peter, Owen Piper, Zoe Williams[/i]\r\n2012 - My Five New Friends (by Oliver Braid) - The Royal Standard - Liverpool\r\n2012 - DOVBLE TROVBLE - Centre for Contemporary Art - Glasgow\r\n             [i]Aaron Angell, Anthony Antonellis, Alistair Frost, Tom Godfrey, Rachel de Joode, Aurélien Mole, Mathew Parkin, Ciara Philips, Owen Piper, Travess Smalley[/i]\r\n\r\n2011 - The Builders - Market Gallery - Glasgow \r\n2011 - Love Made Easy (by Oliver Braid) -  The Mutual - Glasgow\r\n\r\n2009 - Twilight - La Box - Bourges  	\r\nFull list on [a=http://www.itsourplayground.com]http://www.itsourplayground.com[/a]\r\n\r\n[b]Publications[/b]\r\n2014 - Relax II (a catalogue of relaxed images) - Self Published\r\n2013 - Relax I (a colouring book) - Self Published\r\n\r\n[b]Residency/Résidence[/b]\r\n2015 - Parc Saint Léger - Pougues les eaux [i](upcoming)[/i]\r\n2014 - Paradise - Nantes [i](upcoming)[/i]\r\n2011 - Studio Voltaire/NWSP- London \r\n2011 - The Living Exhibition - Market Gallery - Glasgow \r\n\r\n[b]Talks/Conférences[/b]\r\n2013 - Artist run spaces / Les chemins de l&#039;emergence - Zérodeux/ ENSBA Nantes\r\n2012 - It’s Our Playground - Ecole d’art du Mans\r\n2011 - Pecha Kucha 7 - Tramway - Glasgow\r\n2011 - Do what the Coulds do - David Dale Gallery - Glasgow\r\n2011 - La posture de l’artiste commissaire - ENSA Bourges - Bourges\r\n2010 - Creating spaces - Transmission gallery - Glasgow \r\n\r\n[b]Catalogue/press [/b]\r\n2014 - Jocelyn Villemont : Digital Hard Edge - Text by [i]Julie Portier[/i] in Le Quotidien de l&#039;art n°658 \r\n2012 - Les possédées - Artforum / May 2012 - Article by Chris Sharp\r\n2011 - Mining the Horizon - Collective Gallery - Edinburgh - Text by [i]Nicola Celia-Wright[/i]\r\n2011 - Jocelyn Villemont - Mastars/Axis - Online - Text by Kitty Anderson\r\n2011 - 56ème Salon de Montrouge - Text by [i]Caroline Soyez Petithomme[/i]\r\n2010 - Première 13 - CAC Meymac - Text by [i]Gallien Déjean[/i]\r\n2010 - Concept Aventure - curated by Solenn Morel &amp; Elfi Turpin', '', 1, 'cv', 3),
(90, 1, 1331585174, '12/03/2012', 6, '&lt;div style=&quot;display:block&quot;&gt;&lt;a href=&quot;../images/ACIDROCKTRAXMP3192.mp3&quot;  class=&quot;sm2_button&quot;&gt;&lt;img src=&quot;../images/acidrocktrax1.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;', 'Rock Trax I', 'Rythmic composition for 3 stones and 2 hands.\r\n\r\n10&#039;06 minutes\r\n2011', '98;88;35;87;96;61;', 1, 'rock-track-i', 57),
(91, 1, 1331585400, '12/03/2012', 6, 'images/trypisstotemcard.jpg', 'Piss Totem', 'Digital Print\r\n2012', '', 0, 'piss-totem', 55),
(92, 1, 1333569889, '04/04/2012', 7, 'images/Vue-de-lexposition_Exhibition-view_Lightness_Less-is-More-Projects-works-by-Jocelyn-Villemont.jpeg||images/GREENcrackSaucer.jpg==Green Crack Saucer||images/TERRACOTTAcrackURN.jpg==Terracotta Crack Urn||images/PURPLEcrackVASE.jpg==Purple Crack Vase||images/PINKPurplecrackbottle.jpg==Pink &amp; Purple Crack Bottle', 'Lightness', '23|03|2012 - 28|04|2012\r\nGroup show at Less is More Projects \r\nParis\r\n[i]Photo: A.Bursamolino[/i]', '', 1, 'the-cracks', 12),
(48, 1, 1301616177, '01/04/2011', 1, '', 'Presentation', '\r\n[b][u]Jocelyn Villemont : Digital Hard Edge[/u][/b]\r\nPar Julie Portier\r\n\r\n« C’est un objet postmoderniste, un gourdin, quoi ! ». L’adolescent considère l’objet grossièrement sculpté en le manipulant comme une batte de baseball, et poursuit aussi sérieusement : « c’est parce qu’il est un contemporain (…). Ce qu’il veut, c’est amener le regardeur à une relecture de ces objets standardisés ». La vidéo Troublemakers (2011) mettait en scène une improbable séance d’anthropologie esthétique entre deux boutonneux parachutés en pleine forêt. Et voilà comment « Joey » Villemont transfigure une de ses sculptures en objet mythologique, de la bûche de bois à la matière filmique. Car depuis que les formes se transmettent comme des virus et mutent de l’art au prêt-à-porter sans incuber plus de deux semaines dans la niche des contre-cultures, que le nivellement des genres et des disciplines est déjà une histoire ancienne, que le rythme du revival est bientôt plus rapide que celui auquel émergent les nouvelles tendances, la question est plus grave qu’une parodie de science-fiction : d’où viennent les oeuvres d’art ? (Et que nous veulent-elles au juste ?). Au temps du post-Internet, les historiens d’art ne savent plus à quel saint se vouer, alors le paganisme 2.0 de Villemont distille les fétiches d’un anachronisme immanent, des apparitions faites main comme ces amphores plates invoquant l’antiquité et les arts du feu des années 1970 dans ce qui pourrait être un monument aux premiers jeux vidéo sur Game Boy (The Cracks Path, 2012). Son fameux smiley en granit (Stoned Happy Face, 2011) colporte d’autres (plausibles) élucubrations iconologiques quand, incarnant une déité médiévale dans la vidéo Hard Times, il s’entretient sur l’origine des folklores dans un champ humide avec un personnage qui semble revenir d’un teknival. Réfléchissant sérieusement aux conséquences esthétiques et anthropologiques de notre hyper connectivité, l’artiste propose des solutions faussement légères comme Relax : une déclinaison d’images, de mobilier et un site Internet offrant des instants de relaxation à l’usage des individus en proie au burn out digital. L’ironie réside dans le mimétisme d’une stratégie marketing primaire, qui emprunte tous les poncifs publicitaires de la détente (tasse de café, barre chocolatée, motifs de vague), et prétend remédier à un mal philosophique par un accessoire produit par le système qui en est la cause. Par analogie, on percevra une vision sévère du rôle de l’objet d’art dans la société et de l’artiste converti en « chef de produit ». Mais Joey Villemont cherche moins la subversion que l’expérimentation dans ces jeux de permutation. Pour son récent projet, Studies for A collection (présentée à lntermedia Gallery à Glasgow), il continue de mettre l’art et la mode à l’épreuve de leur ressemblance et jeux d’influences mutuelles, dans un showroom présentant le prototype d’une gamme de vêtements affichant quelques stigmates des avant-gardes révolutionnaires. Il s’agit encore d’observer la circulation des motifs et la mutation d’une forme en logo, puis en emblème d’un mode de vie - c’est ainsi que le consommateur de mode s’approprie une marque, pourquoi l’art n’appliquerait-il pas cette stratégie d’infiltration ? (Oui, on pense à Fluxus). Si le « display » est ici un enjeu crucial, Joey Villemont l’expérimente ailleurs, dans le réel et le virtuel, en compagnie de Camille Le Houezec avec qui il dirige la galerie indépendante SWG3 à Glasgow. Tous deux ont créé le providentiel It’s our playground, « artist run space » en ligne, qui a peut-être déjà posé toutes les questions qui permettront d’envisager le devenir des oeuvres d’art qui circulent moins vite que leurs reproductions sur le net.\r\n\r\nLE QUOTIDIEN DE L’ART / NUMÉRO 658 / VENDREDI 29 AOÛT 2014', '', 1, 'presentation', 5),
(58, 0, 1302716637, '13/04/2011', 1, '', 'Contact', 'joeyvillemont@googlemail.com\r\n', '', 1, 'contact', 1),
(59, 1, 1304329086, '02/05/2011', 6, 'images/tributetothesun.jpg', 'Tribute to the sun', 'wood, records, flag\r\n80x45x7cm\r\n2010', '41;26;31;42;28;32;', 0, 'tribute-to-the-sun', 38),
(50, 1, 1301616177, '01/04/2011', 1, '', 'Texts FR', 'Les installations de Jocelyn Villemont, jeune sculpteur français installé à Glasgow suite à ses études au fameux MFA sculpture de la ville, combinent objets trouvés et/ou modifiés, sculptures « shapées » le plus souvent en bois, dessins et aquarelles reprenant des motifs naïfs, et d’autres formes et matériaux selon les occurrences d’exposition. Les œuvres s’inspirent formellement de différents lexiques culturels : cultures adolescentes telles le skate-board et le surf, cultures festives telles les musiques électroniques et leurs références aux produits stupéfiants, cultures primitives réelles (amérindienes) ou imaginaires (préhistoriques), cultures populaires dites kitsch, etc. convoquées dans des espaces temps unifiés le temps d’un accrochage. Les références se heurtent, apportant de nouvelles lectures de ces éléments déjà fortement connotés, et composant clairement le tableau idyllique d’un multiculturalisme heureux et décomplexé.\r\n\r\nDorothée Dupuis\r\nTexte écrit pour l&#039;exposition Les Possédé(e)s, Triangle France, Marseille, 2012\r\n\r\n\r\n[b]The Troublemakers[/b]\r\n\r\nQue font deux adolescents qui se retrouvent après les cours au beau milieu de la forêt ? C’est ce que nous raconte The Troublemakers, la dernière vidéo de Jocelyn Villemont. Le lieu semble propice à la discussion, mais le contenu de leurs échanges prend rapidement une tournure absurde, surtout si l’on se fie de prime abord à l’allure de ces deux teenagers. Ils semblent tout juste avoir déserté le skate park – une de leurs planches à roulettes ornées de formes géométriques abstraites gît au sol et l’autre repose sur un tronc d’arbre. Mais quelle peut bien être leur motivation ? Pourquoi se réfugient-ils ainsi dans la nature ? Il n’est pas question d’un retour aux sources, ni de filles, de musique et encore moins de drogue. Ils ne sont pas non plus en train de préparer un prochain règlement de compte entre bandes rivales, comme le présagerait la manipulation d’une matraque en bois. La conversation tourne pourtant bien autour de cet artefact, mais le sérieux de leur propos est déroutant. Ils débattent en effet de la valeur anthropologique de ce bâton de bois, qui reprend la forme ancestrale d’une batte de baseball. Ce Primitive (gourdin) est en réalité une sculpture de Villemont et le scénario n’est autre que celui imaginé par l’artiste pour recharger la signification de cette forme aux multiples connotations culturelles et symboliques. La mise en scène distanciée – ces personnages dont il est parfaitement assumé qu’ils ne sont pas une seconde habités ni spécialement concernés par les propos qu’ils tiennent – oscille entre l’esthétique Nouvelle Vague et celle des performances du duo d’artistes écossais Joanne Tatham et Tom O’Sullivan. L’influence de ces derniers n’est pas sans lien avec le fait que Villemont étudie à Glasgow.\r\n\r\nÀ des réflexions sur le statut de l’objet et sur les potentielles dérives de la sculpture minimale américaine, Villemont ajoute des références hétéroclites, mais qui appartiennent toutes à des registres culturels connexes. Sunburst, la série de dessin Heroes ou Impala Celebration disséminent ainsi un répertoire de formes et matériaux archétypaux de la culture folk américaine. L’artiste puise également du côté de la musique pop, de la culture surf via des motifs de planches, de palmiers et autres éléments tropicaux. Peu importe que ces éléments appartiennent à une culture plus ou moins commerciale (mainstream), alternative ou marginale) et qu’ils convoquent une histoire culturelle et des modes de vie qui n’ont probablement pas grand-chose à voir avec celui de l’artiste. Cela ne constitue en aucun cas un obstacle pour Villemont qui revendique ces objets – guitare, pochettes de disques, sculptures totémiques aux motifs empruntés à diverses pratiques culturelles – comme ses propres fétiches. Ce sont les bribes de son adolescence qu’il fait exister autrement, et qu’il redistribue dans des assemblages sculpturaux teintés d’humour.\r\n\r\nVillemont a su sans conteste adopter le pli des artistes anglo-saxons qui s’approprient de façon totalement décomplexée l’imagerie et autres fragments d’une culture populaire envisagée dans son ensemble, tous registres, époques ou origines confondus. Villemont s’inscrit ainsi dans la logique inhérente aux modes de circulation toujours plus denses, et à la diffusion toujours plus rapide des modèles culturels. Il navigue donc librement dans cet amoncellement de niches que forment, non pas une, mais des cultures populaires. Leurs ramifications multiples et complexes n’ont jamais cessé de défier les étiquettes inventées par les historiens (d’art) ou les sociologues. Elles témoignent d’une grande pluralité et d’une immense porosité, jusqu’à engendrer régulièrement des formes et une esthétique hybrides, comme celles ici spécifiques au domaine de l’art contemporain.\r\n\r\nCaroline Soyez-Petithomme, 2011.', '', 1, 'texts', 4),
(57, 1, 1302561042, '12/04/2011', 7, 'images/trickster01.jpg||images/trickster05.jpg||images/trickster07.jpg', 'The Trickster', 'At White Corners with Shinichi Takeda\r\n\r\n28.05.2009-06.06.2009 \r\n\r\n[extra_txt] Des bruits de moteur, de la fumée et du feu, des odeurs de pétrole et d&#039;hormones animales, planteront dans ce lieu assombri, le décor propice à la rencontre plastique entre Shinichi Takeda et Jocelyn Villemont.\r\n\r\nCe n&#039;est pas sans fracas que nos deux jeunes artistes uniront leurs pratiques respectives à l&#039;occasion de ce nouveau bootleg. En musique, le Bootleg, ou mash up est le troisième morceau fabriqué par le mix de deux disques. Tout réside dans l&#039;art de savoir ce qu&#039;il faut choisir chez l&#039;un enlever chez l&#039;autre, amplifier ou couper. En transposant cette pratique de l&#039;univers musical à l&#039;exposition, cela consistera en un équilibre judicieux pendant toute la durée de l&#039;évènement. Le Bootleg ici sera l&#039;entité formée par le mélange des pratiques de deux autres.\r\n\r\nLa figure de la réunion de Shinichi et Jocelyn est le Trickster, ce petit personnage mythique prêt à jouer des tours, peuplant contes et légendes, et dont la figure la plus connue serait celle du coyote dans la culture populaire Américaine. Cet animal, farceur, à cheval entre bien et mal, à la fois créateur et destructeur, peut endosser tous les rôles, tour à tour concepteur, rebelle, artiste, bricoleur, regardeur, moqueur, inconscient, machiavélique? Assumant un aspect factice, White Corners a été métamorphosé en décor, en tanière bricolée par notre Trickster. Celui-ci, jouant avec le feu, s&#039;est saisi des outils afin de fabriquer ce nouveau monde imaginaire empli de fétiches et d&#039;objets hybrides.\r\n\r\nCamille Le Houezec\r\n[/extra_txt]', '', 0, 'the-trickster', 2),
(67, 1, 1304414509, '03/05/2011', 1, '', 'Entertainement', '[b]ENTERTAINEMENT[/b]\r\n[b]Radio [/b]\r\n2004 / 2008 -  The Royal Honky Tonk electric! Show - Host of a weekly Radio show on local freeform radio “Radio Resonance” \r\n2003 / 2004 - Psychedelic Bubblegum - Co-Host of a weekly Radio show on local freeform radio “Radio Resonance” \r\n\r\n[b]Podcast [/b]\r\n2007 / 2009 - The Royal Honky Tonk electric! Show on www.hi-nu.com\r\n2005 / 2007 - Swallows &amp; bruises mix on www.hi-nu.com\r\n\r\n[b]Visual contribution for Live Shows[/b]\r\n2007- Mice Parade - Le point éphémère - Paris (fr)\r\n\r\n[b]COMISSIONED DESIGN WORKS [/b]\r\n[b]Music[/b]\r\nThis is the kit, Vetiver, Vetiver, YACHT 	\r\n\r\n[b]Promotion [/b]\r\n2009 - Milbooks - Osaka (Jp) \r\n2009 - Ground zero record shop - Paris (Fr) \r\n2008 - Ground zero record shop - Paris (Fr) \r\n2008 - A quoi tu penses.com \r\n\r\n[b]Websites design[/b] (with Moderntree) \r\n2011 - Hi-nu.com\r\n2011 - Joeyvillemont.net\r\n2010 - camillelehouezec.com\r\n2010 - Itsourplayground.com\r\n2009 - Whitecorners.net   \r\n2009 - Joeyvillemont.net\r\n2007 - Joeysartwork.net\r\n2007 - Hi-Nu.com\r\n2005 - Hi-Nu.com\r\n2004 - Hi-Nu.com \r\n \r\n[b]Events communication [/b] \r\n2011 - Tomboy Playback - Monrail records - Glasgow\r\n2010 - Summer 2010 - La Maroquinerie\r\n2009 - Ground zero record shop 5th Anniversary \r\n2009 - Acid Test 69-09 - Ping pong promotion\r\n2008 - Soirée à emporter 2 - Blogotheque\r\n2008 - Acid Test “7 - Ping pong promotion\r\n2007/2008 - Diverse stuff for Super ! agency \r\n2007 - Imagodrome - EnsaBourges\r\n2007 - Soirée à emporter - Blogotheque\r\n2007 - Acid Test “6 - Ping pong promotion\r\n2007 - Collision! - musual\r\n2007 - Grand Ouvert - EnsaBourges\r\n \r\n[b]Festivals[/b]\r\n2009 - Le Printemps de la BD de Brussels (Be)', '', 0, 'entertainement', 0),
(60, 1, 1304329708, '02/05/2011', 7, 'images/IMG_0939C.jpg==Color chart, Primitive||images/IMG_090.jpg==Sunburst (Chief Joseph)||images/IMG_0911C.jpg==La Force de la Nature||images/IMG_0897C.jpg==The Dreamers (setlist)||&lt;iframe src=&quot;http://player.vimeo.com/video/8024503?title=0&amp;amp;byline=0&amp;amp;portrait=0&quot; width=&quot;600&quot; height=&quot;450&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;', 'Prismus open vision', 'Première 13 at CAC Meymac.\r\n2010', '', 0, 'premiere-13', 3),
(69, 1, 1304426231, '03/05/2011', 10, '', '56eme Salon de Montrouge', '05.05.2011 - 01.06.2011', '', 0, '56eme-salon-de-montrouge', 0),
(61, 1, 1304343274, '02/05/2011', 6, 'images/standingstones.jpg||images/standingstoness.jpg||images/standingstonnes.jpg', 'Standing stones', 'drawings, concrete\r\n2011', '30;35;37;', 0, 'standing-stones', 41),
(62, 1, 1304343358, '02/05/2011', 6, '', 'Marking pannel', 'Ink-jet print, glass, wood', '', 0, 'marking-pannel', 0),
(63, 1, 1304343424, '02/05/2011', 1, '', 'Stoned happy face', 'Granit\r\n2011', '', 1, 'stoned-happy-face', 0),
(64, 1, 1304343562, '02/05/2011', 6, 'images/WRS.jpg||images/WRS2.jpg', 'Sunset', 'Tracing powder, studio light\r\n2009', '29;26;28;32;59;', 0, 'sunset', 30),
(65, 1, 1304348813, '02/05/2011', 7, 'images/sa1.jpg||images/sa2.jpg||images/sa3.jpg||&lt;iframe src=&quot;http://player.vimeo.com/video/12721883?title=0&amp;amp;byline=0&amp;amp;portrait=0&quot; width=&quot;600&quot; height=&quot;450&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;||images/nb1.jpg||images/nb2.jpg', 'Nature Boy', 'Installation at Mulhouse 010, June 2010\r\nalong a performance by Loïc Beck, playing 5 Nirvana songs relating to Nature.', '38;39;34;', 0, 'nature-boy', 4),
(66, 1, 1304375325, '03/05/2011', 9, '', 'Links', '[a=http://www.itsourplayground.com]http://www.itsourplayground.com[/a]\r\n\r\n[a=http://www.beggs.info]http://www.beggs.info[/a]\r\n[a=http://www.camillelehouezec.com]http://www.camillelehouezec.com[/a]\r\n[a=http://www.camilloparavicini.com]http://www.camilloparavicini.com[/a]\r\n[a=http://www.loicbeck.com]http://www.loicbeck.com[/a]\r\n[a=http://www.oliverbraid.com]http://www.oliverbraid.com[/a]\r\n[a=http://www.owenpiper.com]http://www.owenpiper.com[/a]\r\n[a=http://www.stakeda.net]http://www.stakeda.net[/a]\r\n[a=http://www.tomgodfrey.co.uk]http://www.tomgodfrey.co.uk[/a]\r\n\r\n[a=http://www.collectivegallery.net]http://www.collectivegallery.net[/a]\r\n[a=http://www.lessismoreprojects.com]lessismoreprojects.com[/a]\r\n[a=http://carte-revue.com/]http://carte-revue.com/[/a]\r\n[a=http://wyy.free.fr]http://wyy.free.fr[/a]\r\n[a=http://bainsdouches61.wordpress.com]http://bainsdouches61.wordpress.com[/a]\r\n[a=http://www.salondemontrouge.fr]http://www.salondemontrouge.fr[/a]\r\n[a=http://www.gsamfa.com/index.php]http://www.gsamfa.com/index.php[/a]\r\n', '', 1, 'links', 0),
(68, 1, 1304425973, '03/05/2011', 6, '&lt;iframe src=&quot;http://player.vimeo.com/video/23107497?title=0&amp;amp;byline=0&amp;amp;portrait=0&quot; width=&quot;600&quot; height=&quot;450&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;', 'The Troublemakers', 'vidéo\r\n4&quot;37\r\n2011', '40;17;42;', 1, 'the-troublemakers', 45),
(72, 1, 1305759269, '19/05/2011', 7, 'images/montrouge2.jpg==Pantheon (Ettore Sottsass), 2011||images/montrouge3.jpg==Magic Blanket, 2011||images/montrouge1.jpg==Pantheon (Motorhead), 2011||images/montrouge5.jpg==Sunrise, 2011||images/montrouge7.jpg', '56eme Salon de Montrouge', '04|05|2011 - 01|06|2011\r\nLa Fabrique, Montrouge\r\nFRANCE', '', 0, '56eme-salon-de-montrouge', 5),
(73, 1, 1307198959, '04/06/2011', 6, 'images/sunrise1.jpg||images/SUNRISE2.jpg', 'Sunrise', 'Brass, leather\r\n2011', '41;40;16;24;', 0, 'sunrise', 46),
(74, 1, 1307199187, '04/06/2011', 6, 'images/magicblanket2.jpg', 'Magic Blanket', 'Blankets\r\n200cm x 130cm x 5cm\r\n2011', '25;43;29;41;28;', 0, 'magic-blanket', 47),
(75, 1, 1307200518, '04/06/2011', 7, 'images/voices.jpg==So Hot, Yvan Etienne, 2011 - Stoned Happy Face, Jocelyn Villemont, 2011||images/IMG_1846.jpg==Stoned Happy Face, Jocelyn Villemont, 2011||images/voices6.jpg==All right Honey, Yvan Etienne, 2011||images/voices3.jpg==Cheshire Jumper, Jocelyn Villemont, 2010||images/Voices7.jpg==Cheshire Jumper, 2010||images/voices5.jpg==Ephemera Camp I, Jocelyn Villemont, 2011||images/ephemera1.jpg==Ephemera Camp II, Jocelyn Villemont, 2011||images/voices2.jpg==Everybody has been burned, Yvan Etienne, 2011||images/voices4.jpg==Voices green and Purple', 'Voices Green and Purple', '28|05|2011 - 03|07|2011\r\nwith Yvan Etienne\r\ncurated by Sophie Vinet\r\nLes Bains-Douches, Alençon\r\nFRANCE', '', 1, 'voices-green-and-purple', 6),
(76, 1, 1307581616, '09/06/2011', 7, 'images/gisarock7.jpg||images/gisarock.jpg==Pushing Too Hard, 2011||images/gisarock6.jpg||images/gisarock4.jpg==Granite is a Hard Rock, 2011||images/gisarock5.jpg||images/gisarock11.jpg==Stoned Happy Face, 2011||images/gisarock3.jpg==Granite is Hard, 2011||images/gisarock2.jpg==Granite is a Hardcore Rock, 2011||images/gisarock9.jpg==Acid Rock Music, 12min, 2011||images/gisarock10.jpg==Acid Rock Music, 12min, 2011||images/gisarock8.jpg||&lt;iframe src=&quot;http://player.vimeo.com/video/24959010?title=0&amp;amp;byline=0&amp;amp;portrait=0&quot; width=&quot;600&quot; height=&quot;450&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;', 'Granite is a Hardcore Rock', 'MFA Degree Show, Glasgow School of art\r\n08|06|2011 - 19|06|2011\r\nThe Glue Factory, Glasgow\r\n\r\n[i]In his recent projects, jocelyn villemont made a new reading of two histories linked by  magical visions and sensations. The acid house culture, and the prehistoric rock carving. Retaking the cups and rings markings of the ancient shepherds by carving a happy face into a big granite pill. \r\nIn front of that two PA cabinets are covered by a Granite camouflage net and we can hear what would be a lo-fi version of the TB-303 with rocks knocking each other into a minimal and hypnotic beat. The Granite camo net evoke the relation to nature of those celebrations, usually happening outdoor and communing with it, melting with it, but also quite artificial as it mimmicks granite in the way a terrazzo do. \r\nThe series of fluo posters is a declination of the phrase &#039;&#039;Granite is a Hard Core rock&#039;&#039;, Granite is hard core rock, Granite is a hard rock, Granite is hard core, Granite is hard, without bending on one side or another of the history, Granite become the ambiguous word. Keeping this status that even the family picture (Pushing too hard, 2011) with the two kids in fluo pushing the monolith wouldn&#039;t help. \r\n[/i]', '', 1, 'granite-is-a-hardcore-rock', 7),
(80, 1, 1314106564, '23/08/2011', 1, '', 'oldstatement', '[b][u]BUILDER, DREAMER[/u][/b]\r\n\r\nBy scanning counter-cultures such as &#039;rock&#039; and &#039;biker&#039; (muscle, cars, skate, sports etc.), I attempt from a perspective influenced by a personal sensibility toward landscape, forests and magic, to establish relationships between &#039;nature&#039; and &#039;culture&#039;. Often these relationships resolve them selves by taking on the form of mythologies.\r\nAs a dreamer fascinated by the shinny, pearlescent, pop and glam this sensibility&#039; within my practice might best be described simply as dreaming; a process by which I filtering ideas through an important visual and sonic memory, strongly linked to my &#039;heavy listening&#039; and activities within radio, as both DJ and critic. \r\nIn a sense, with respect to the making of my objects, I consider myself as a &#039;shaper&#039;; someone who crafts (wood-turning, pipe-carving, patchwork. etc.). Forming things with a non-standard idea producing drawings and artefacts that in a way talk to each other, questioning and answering their own shared activity, presence and value; a &#039;counter-culture&#039;. In this way my work relates to a certain attitude of primitivism, a kind of post-modern-primitive-revival.\r\nThe apparent indifferent status I attributed to each work leads to questions concerning ambiguity. How do we interpret these works; as fetishisms, due to their element of &#039;craft or folk production&#039;, or as shakers in the minimal playground, or simply a way to help you travel in the time, nostalgia, &#039;&#039;golden oldies&#039;&#039;. I like the way things can look indeterminate but in fact refers to somes codes and myth that deals with everyone, like the formation of one universal band (The Dreamers) to which one becomes a member as soon as one engages ones facility to dream.\r\n\r\n[i]J.V. (2009)[/i]\r\n\r\n\r\n\r\nJocelyn is fortunate in that he has an interest in culture that is not primarily focused on visual art. He has a mature and objective interested in the culture of music, particularly in the area of what could generally be referred to as the ‘rock bands’. This broad interest, which has been both a major product and major influence on our Times, ‘fuels’ his work.\r\nWithin this source of energy I believe there is one particular brand of fuel that has a subtle but strong effect on Jocelyn’s work. I think he is influenced by what in English we call ‘folk’. For me particularly with respect to his earlier drawing and prints, there is a strong ‘nature’ / ‘folk’ influence that reminds me of the British artist William Blake. In this subtle way even though Jocelyn’s work is so strongly influenced by late 20th century and contemporary ‘indie’ music, (normally associated with an urban/modern context), his work has an underlying rural, nature and ‘past’ feel to it. This runs in opposition to what one might expect, and provides a curtain uniquely interest. \r\nIn the cool aesthetics of 2008, which undoubtedly will still be present in 2009/10, such an influences within contemporary art could be very interesting both for him and us.\r\n\r\n[i]N.B. (2009)[/i]', '', 0, 'oldstatement', 0);
INSERT INTO `objet` (`id`, `user_id`, `time`, `date`, `category`, `img`, `titre`, `texte`, `related`, `online`, `permalink`, `ordre`) VALUES
(89, 1, 1323214139, '07/12/2011', 1, '', 'Texts UK', '[u][b]MINING THE HORIZON[/b][/u]\r\n\r\nPursuing moments of traction between subaltern narratives, namely the druidical prehistoric and 1980s acid club and rave culture, Villemont’s video work ‘Hard Times’ brings seemingly incongruous histories into proximity. A perfectly carved slab of granite in the form of a smiley face, usually associated with stoner and dance cultures serves as the artist’s protagonist; as his foil, an aging raver. Their scripted conversation makes uncertain suggestions as to the stone’s history: a stone-aged rave, in which a winter solstice’s primal, ecclesiastical ecstatic is conflated with a techno-fuelled gathering of antediluvian shepherds. Villemont has placed the featured ‘smiley’ stone permanently in a rural location along the east coast of Scotland, attaching it to the mythical, ‘transcendent’ experience of standing stones. Yet the universal ciphers the artist locates in emoticons and “dancing language” deal with recognition and recurrence. The looped video becomes a Sisyphean encounter, a self-reflexive gesture that reprises both the stone’s predictive words and post-modern conditions of forgetting: “Basically, you don’t remember anything so you come back the next day or the next week”.\r\nVisual motifs leak onto the gallery’s grey walls, which are covered with an almost scatological pattern of squiggled, caulky reliefs. Floor carpets and shirts hanging from the walls are similarly painted in the speckled, faux-stone Granito of kitchen countertops, inadequate office partitions and public toilet floors. Villemont fashions an uncertain environment for the viewer, which falters between illustration and installation. Drawing on classic designs – the monitor stand is a doubtful, expedient nod to Ettore Sottsass’s Carlton cabinet – pop music videos and faded clubs, the space is rendered with an outmoded patina, a kitschy, flattening monochrome. Within ‘Hard Times’ and its surrounding, theatrical environment, Villemont creates narratives and objects which (literally) converse across time. Tracking the epistemologies of the ‘stone’, wordplays and semantic games give way to a vernacular that proposes interruptions, folds and repeats in how we read history.\r\n\r\n\r\n[u][b]GRANITE IS A HARD CORE ROCK[/b][/u]\r\n\r\nFor The Glasgow School of Art MFA degree show Jocelyn Villemont presented a collection of works entitled Granite is a Hardcore Rock in a small, self-contained room in the former Glue Factory on Speirs Locks.\r\nThe collection explored the physical, literal and cultural associations of the rock, and comprised a series of wall-based works, two sculptures and a sound piece.\r\nThe wall-based works included a series of fluorescent &#039;posters&#039; with variations on the work&#039;s title, altering the absurd statement &#039;GRANITE IS A HARD CORE ROCK&#039; to the truisms &#039;GRANITE IS A HARD ROCK&#039; and &#039;GRANITE IS HARD&#039;. Pasted on grey MDF boards (with the corners cut off to imitate broken paving stones) and mounted against the breeze-block walls, the posters looked like something between a poster promoting a club night in the student union and a slogan on a political fly poster.\r\nAlongside the posters, and also mounted on grey MDF, was a photograph of two small boys (a childhood picture of the artist and his brother) pushing a huge rock several times their own size, and clearly making no progress in their pursuit. Coincidentally the two boys are dressed in fluorescent outfits, providing an indication of the age of the photograph, and a formal link to the posters.\r\nOn the floor was large granite disc, marked with a smiling &#039;acid&#039; face like an oversized ecstasy pill. Balanced upright so that it appeared almost weightless, the smiley face was drained of its normal yellow hue and took on the sombre tones of the grey concrete floor.\r\nOn the other side of the room stood a pair of speakers covered in a homemade camouflage net, splattered with grey paint like a cheap terrazzo floor rather than a standard moss green. Underneath the speakers pumped out a monotonous, though slightly unusual, techno beat, seemingly made from the sound of stones hitting against one another like executive office toy.\r\nThe works presented at the MFA show are amongst a number of works by Villemont that use rocks and stones in various states and guises. From cast concrete paving stones moulded into fake boulders to large plinths covered in marble effect vinyl, the physical qualities and magical associations of this traditional material (and its numerous imitations) present an ongoing fascination for the artist. By combining the ritualistic use of ancient stones with the altered states induced by music and chemicals, Villemont unites two diverse subcultures though a play on words and objects.\r\nContextualising these works, and Villemont’s practice in general, is his collaborative project &#039;It&#039;s Our Playground&#039;, an online artist-run space. IOP projects are virtual exhibitions that overcome the physical constraints of the real world by using the unlimited space and endless images available on the internet. A recent project entitled ‘The World is Stone’ (itsourplayground.com/23/the_world_is_stone) presents his own work alongside other rock-related creations including well-known artworks, found images and home videos. This surprisingly seductive online environment provides an ideal context for his work while prompting us to question whether a good picture is as important as a good work, echoing Villemont’s interest in the qualities of re-creation and imitation.\r\n\r\nKitty Anderson, 2011\r\n\r\n\r\n[u][b]HALTERES-NATIVE [/b][/u]\r\n\r\nHow to explain the relative lack of cultural studies in aesthetic practices and theoretical hexagonal? This may be because there are in France, since the post-war, ideological mistrust towards the arts and popular traditions that young artists such as Jocelyn Villemont prefer to draw their inspiration from Anglo-Saxon sources. Whether it&#039;s rock&#039;n&#039;roll, tuning, sports, folk or indigenous peoples, the formal vocabulary employed by Jocelyn Villemont comes from a broader conception of culture and the exchange ratios that raises. \r\n\r\nBorn in France, installed for some time in Glasgow, Jocelyn Villemont belongs to a generation that revisits the historical nesting of minimalist and pop legacies. By mixing these influences in his work, he reveals the strategic proximity of these two neo-avant-garde - abandonment of notions of originality and authenticity, integration of industrial and extra-artistic themes - and reassess their relevance to the confronting some of the fields contemporary culture. His installations contradict the historical assumptions that confuse rationalism and minimalism. The return of the repressed post-modern play here in the form of a recurrence of the story in its broadest sense - both legendary, magical, fun and efficient - and a vitalist conception of nature; not without mentioning a certain kinship with the minimalist psychedelic West Coast trend of the United States. In this respect a work like Pacific Palisade (a screen made of plywood surfboards), suggests both the first sculptures made by Anne Truitt in 1961, that the famous Planks by John McCracken, left here in a primitive unfinished state. A mottled and bastardized Minimalism, therefore, by the intrusion of traditional combinations outside the scope of fine arts. \r\n\r\nJocelyn Villemont, who has assimilated the pop lesson, is not interested, however, into a generic imagery mass as developed in the 1960s: no soup cans or movie starlets. The frame of his work, however, buys the records of specific popular cultures and subcultures. With Sunburst for Chief Joseph (2009), for example, he created an altar consisting of a minimal disk of polished wood, of a carpet and a few branches, evoking the crafts and cultural practices of Native American Indians. For The Force of Nature (2009), the artist, during a performance, debits tree trunks into slices to make rough dumbbells. Between logging and body-building is emerging, in short, a Do It Yourself gymnastics. Sports halls, studios repeated folk altars ... Facilities generally operate as potential scenic area (must it be reminded that theatricality, according to Michael Fried, is a characteristic of Minimal art?). Sometimes close to the cartoon (Trickster Wall, 2009), these sets are places of production of vernacular practices (DIY, appropriation, diversion) rather than signs, noting, in the words of Michel de Certeau, a certain &quot;cultural poaching&quot;. \r\n\r\nGallien Déjean, 2010\r\n\r\n\r\nNicola Celia Wright, 2011\r\n', '', 1, 'texts-uk', 5),
(77, 1, 1310338302, '11/07/2011', 6, 'images/gisarock11.jpg||images/IMG_1846.jpg', 'Stoned happy face', 'Granite\r\n70cm x 70cm x 25cm\r\n2011', '7;35;17;61;16;37;70;', 1, 'stoned-happy-face', 48),
(78, 1, 1312136681, '31/07/2011', 6, 'images/GIAHR4doc.gif||images/poster4.jpg||images/poster6.jpg||images/poster2.jpg||images/poster5.jpg||images/poster3.jpg||images/poster1.jpg', 'Granite is Hard', '6 prints on fluo paper\r\n60cm x 40cm\r\n2011', '35;61;77;37;70;', 1, 'granite-is-a-hard', 49),
(79, 1, 1313536675, '17/08/2011', 6, 'images/Pushingtoohard.jpg', 'Pushing too hard', 'C-type print\r\nvarious sizes\r\n2011', '35;78;61;77;', 1, 'pushing-too-hard', 50),
(84, 1, 1321824274, '20/11/2011', 7, 'images/ImpalacelebrationII.jpg==Impala Celebration II, 2011||images/impacelhigh.jpg==Impala Celebration II, 2011||images/impacelsmiley.jpg==Impala Celebration II, 2011||images/impaceltail.jpg==Impala Celebration II, 2011||images/GREGAIRESHOW.jpg==Exhibition view', 'Grégaire', '11|11|2011 - 14|11|2011\r\nCurated by Mathieu Cénac (Carte) &amp; Lucie Orbie (Upsilon)\r\nWith Yvette Nozière, Armand Morin.\r\nNofound Art Fair, Paris\r\nFRANCE\r\n', '', 0, 'gregaire', 10),
(81, 1, 1317719295, '04/10/2011', 7, 'images/joeyvillemontberlin.jpg==Acid Rock Track II, 2011||images/BERLIN1.jpg==Acid Rock track II (detail)||images/joeyvillemontberlin4.jpg==Acid Rock Track II (detail)||images/STONEDACIDGIF.gif||images/joeyvillemontberlin3.jpg==Granite is a Hardcore rock, 2011||images/joeyvillemontberlin2.jpg==Granite is a hardcore rock, 2011||images/joeyvillemontberlin5.jpg==Pushing too hard, 2011', 'SPLIT', '08|08|2011 - 03|09|2011\r\nGlasgow School of Art - MFA International show\r\nSommer &amp; Kohl, Berlin\r\nArratia Beer, Berlin\r\nGERMANY', '', 1, 'split-mfa-international-show', 8),
(82, 1, 1317721117, '04/10/2011', 7, 'images/lessismore2.jpg==Strangers in the woods, 2011||images/lessismore4.jpg==Strangers in the woods, 2011||images/Lessismore.jpg==Standing Stones, 2011||images/lessismore3.jpg==The Dreamers (setlist)||images/lessismore5.jpg==The Dreamers, 2011||images/Lessismore6.jpg==Sunrise, 2011', 'Please, Do not Disturb', '30|09|2011 - 03|12|2011\r\n[i]With Phil Ashcroft, Jenny Bourassin, Peter De Meyer, Paolo Giardi,\r\nGuillaume Paris, Ceal Warnants[/i]\r\nLess is More Projects, Paris\r\nFRANCE', '', 0, 'please-do-not-disturb', 9),
(83, 1, 1317723086, '04/10/2011', 6, 'images/stoned-acid-test.jpg', 'Stoned Acid Test', 'Ink in paper\r\n28 x 36 cm\r\n2011\r\n\r\n', '78;79;61;77;70;', 1, 'stoned-acid-test', 51),
(85, 1, 1321828981, '20/11/2011', 6, 'images/ImpalacelebrationII.jpg||images/impacelhigh.jpg||images/impacelsmiley.jpg||images/impaceltail.jpg', 'Impala Celebration II', 'Cutted tin foil, dyed string, coyote tail, Pongo air freshner\r\n150 X 130 cm\r\n2011', '', 0, 'impala-celebration-ii', 52),
(86, 1, 1321832223, '21/11/2011', 7, 'images/CLUBSHIRTYELLOW.jpg==Club Shirt (Yellow), 2011||images/CLUBSHIRTRED.jpg==Club Shirt (Red), 2011||images/CLUBSHIRTGREEN.jpg==Club Shirt (Green), 2011||images/CLUBSHIRTGH.jpg==Club Shirt (detail), 2011||images/HARDTIMESVIEW2.jpg==Exhibition view||images/Hardtimes.jpg==Hard Times, 4min DVD loop, 2011||&lt;iframe src=&quot;http://player.vimeo.com/video/32536288?title=0&amp;amp;byline=0&amp;amp;portrait=0&amp;amp;loop=1&quot; width=&quot;800&quot; height=&quot;450&quot; frameborder=&quot;0&quot; webkitAllowFullScreen mozallowfullscreen allowFullScreen&gt;&lt;/iframe&gt;', 'HARD TIMES', '18|11|2011 - 19|12|2011\r\nCollective Gallery - New Work Scotland 11\r\nEdinburgh - UK', '', 1, 'hard-times', 11),
(87, 1, 1322004256, '23/11/2011', 6, '&lt;iframe src=&quot;http://player.vimeo.com/video/32536288?title=0&amp;amp;byline=0&amp;amp;portrait=0&amp;amp;loop=1&quot; width=&quot;800&quot; height=&quot;450&quot; frameborder=&quot;0&quot; webkitAllowFullScreen mozallowfullscreen allowFullScreen&gt;&lt;/iframe&gt;', 'Hard Times (video)', '4 min loop\r\nDVD \r\n2011', '88;35;78;83;77;', 1, 'hard-times', 53),
(88, 1, 1322050193, '23/11/2011', 6, 'images/CLUBSHIRTYELLOW.jpg||images/CLUBSHIRTH.jpg||images/CLUBSHIRTRED.jpg||images/CLUBSHIRTRH.jpg||images/CLUBSHIRTRM.jpg||images/CLUBSHIRTGREEN.jpg||images/CLUBSHIRTGM.jpg||images/CLUBSHIRTGH.jpg', 'Club Shirts', 'Shirts\r\n80 x 150 cm\r\n2011', '29;87;77;', 1, 'club-shirts', 54),
(95, 1, 1340451687, '23/06/2012', 7, 'images/StonedHappyFacepiace.jpg==Stoned Happy Face, 2012||images/shfm1.jpg==Flyer recto, 200ex, 2012||images/shfm.jpg==Flyer, recto, 200ex', 'Quinzaine radieuse', '22|06|2012 - 08|07|2012\r\nGroup Show and Sculpture Park at [a=http://www.piaceleradieux.com/]Piacé le Radieux[/a]\r\nPiacé (Fr)\r\n\r\n', '', 1, 'quinzaine-radieuse', 15),
(94, 1, 1336662011, '10/05/2012', 7, 'images/possedees4.jpg==The Troublemakers, Installation with wall painting, 2012||images/possedees1.jpg==The Troublemakers, 2012||images/possedees5.jpg==The Troublemakers, 2012', 'Les Possédé(e)s', '02|04|2012 - 30|05|2012\r\nGroup show at HLM, Triangle\r\nMarseille (Fr)\r\n\r\n[a=http://artforum.com/picks/section=fr#picks30988]Article by Chris Sharp in Artforum[/a]\r\n[a=http://www.mouvement.net/inter.php?currentUrl=/critiques-1a72ffe1cf1b587e-un-art-mediumnique-#.T7y_XtsfHvE.facebook]Article by Guillaume Gesvret in Mouvement[/a]\r\n\r\n', '', 1, 'les-posscdces', 14),
(93, 1, 1335784976, '30/04/2012', 7, 'images/IMG_0122.jpg==The Cracks Path, 2012||images/IMG_0101.jpg==The Cracks Path (detail), 2012', 'Glueballs and Winos', '21|04|2012 - 7|05|2012\r\nGroup show at The Project Room \r\nGlasgow\r\n', '', 1, 'the-cracks-path', 13),
(96, 1, 1349617396, '07/10/2012', 6, 'images/Nshelf-J.jpg==N-Shelf with Pipe and Flute||images/Lshelf-J.jpg==L-Shelf with Vase', 'L&amp;N shelves', 'Painted Fabric, Printed paper\r\n60x40cm\r\n2012', '', 0, 'thingy-shelves', 58),
(101, 1, 1366149242, '16/04/2013', 6, 'images/Reward800.jpg==', 'Workers', 'Fabric on stretcher, objects\r\n75 x 100 cm\r\n2013', '', 0, 'workers', 63),
(108, 1, 1405530126, '16/07/2014', 1, '', 'Bio2', '[b]JOCELYN  VILLEMONT[/b]rnrnFR 1986rnLives and works in Glasgow, UKrnrn[b]Education[/b]rn2011 - MFA - Glasgow School of Arts rn2009 - DNSEP -  ENSA Bourges rnrn[b]Solo exhibitions[/b]rn2014 - Studies for a Collection - Intermedia/CCA - Glasgow (upcoming)rn2013 - Relax - The Project Room - Glasgowrn2011 - Hard Times - Collective Gallery - Edinburghrnrn[b]Selected Group exhibitions[/b] rn2014 - Ce qui sépare - Curated by Bruno Peinado, FRAC Loire Atlantique, Carquefourn2014 - d i s p l a y Mediating Landscape - Curated by Flip Projects - Sala Murat - Barirnrn2013 - On the Rocks - Curated by Candice Jacobs - The Attic, Nottinghamrn2013 - Faire le Mur - Balleapop - Bidartrn2013 - Cocktail - The Space, Nottingham Contemporary, Nottingham rn2013 - Exposition pour un arbre #4 - curated by Mathieu Mercier - Jardin botanique  de Bordeauxrnrn2012 - Accidentally on Purpose - Quad - Derby/[a=http://www.accidentalpurpose.net/]Online[/a]rn2012 - Quinzaine Radieuse#4 - Piacé le Radieux - Piacérn2012 - Les Possédé(e)s - curated by Dorothée Dupuis - HLM/Triangle - Marseillern2012 - Glueballs and Winos - The Project Room - Glasgowrn2012 - Castling - Curated by Extra Special People - [a=http://castlingbillboard.co.uk/]Online[/a]rn2012 - Lightness - Less is More Project - Parisrnrn2011 - Grégaire - curated by Mathieu Cénac &amp; Lucie Orbie - Nofound  - Parisrn2011 - Please do not disturb - Less is more projects - Paris rn2011 - Split - Sommer &amp; Kohl, Arratia Beer - Berlin rn2011 - The MFA Degree Show - The Glue Factory - Glasgowrn2011 - Voices Green and Purple - curated by Sophie Vinet - Les Bains douches - Alençon rn2011 - 56ème Salon de Montrouge -  Montrouge rnrn2010 - Ode to Wonderwood - W2 store pop up exhibition - Glasgow rn2010 - The MFA Interim Show - Gasgow School of arts - Glasgowrn2010 - Hooodoooh - curated by It&#039;s our playground - [a=http://itsourplayground.com/28/h_o_o_o_d_o_o_o_h]online[/a]rn2010 - The World is Stone - curated by It&#039;s our playground - [a=http://itsourplayground.com/23/the_world_is_stone]online [/a]rn2010 - Biennale de Mulhouse 010 - Mulhousernrn2009 - Première #13 - Centre d&#039;art contemporain - Meymac rn2009 - The Trickster  - White Corners - Bourges  rn2009 - A fond La Forme - curated by Camille le Houezec - Ensa Bourges rn2008 - Courants - Toko University - Taipei (Tw)  rn2007 - Feed me with your kiss - curated by Yvan Etienne -  Le Consortium - Dijon rnrn[b]Curator/ selected shows [/b](as It&#039;s our Playground with Camille Le Houezec) rn2013 - Vegetal Passion - Royal Garden 5 - CREDAC - Ivry sur Seinern2013 - Performance Fetish - SWG3 Gallery - Glasgowrn2013 - The Sunday Curators - SWG3 Gallery - Glasgowrnrn2012 - Last Chance - SWG3 Gallery - Glasgowrn2012 - My Five New Friends (by Oliver Braid) - The Royal Standard - Liverpoolrn2012 - DOVBLE TROVBLE - Centre for Contemporary Art - Glasgowrnrn2011 - The Builders - Market Gallery - Glasgow rn2011 - Love Made Easy (by Oliver Braid) -  The Mutual - Glasgowrnrn2009 - Twilight - La Box - Bourges  	rnFull list on [a=http://www.itsourplayground.com]http://www.itsourplayground.com[/a]rnrn[b]Publications[/b]rn2014 - Relax II (a catalogue of relaxed images) - Self Publishedrn2013 - Relax I (a colouring book) - Self Publishedrnrn[b]Screenings/Projections[/b]rn2011 - Big Screen Glasgow Festival - The Vic - Glasgow rn2010 - Unbuilding double Bills talk - Mermaid arts centre - Wicklow (Ir)rnrn[b]Residency/Résidence[/b]rn2011 - Studio Voltaire/NWSP- London rn2011 - The Living Exhibition - Market Gallery - Glasgow rnrn[b]Workshop/Artiste invité[/b]rn2008 - Kaleidoscopy - Le Quai school of art - Mulhouse 	rnrn[b]Talks/Conférences[/b]rn2011 - Pecha Kucha 7 - Tramway - Glasgowrn2011 - Do what the Coulds do - David Dale Gallery - Glasgowrn2011 - La posture de l’artiste commissaire - ENSA Bourges - Bourgesrn2010 - Creating spaces - Transmission gallery - Glasgow rnrn[b]Catalogue/press [/b]rn2011 - Mining the Horizon - Collective Gallery - Edinburgh - Texte by [i]Nicola Celia-Wright[/i]rn2011 - 56ème Salon de Montrouge - Texte by [i]Caroline Soyez Petithomme[/i]rn2010 - Première 13 - CAC Meymac - Texte by [i]Gallien Déjean[/i]rn2010 - Concept Aventure - curated by Solenn Morel &amp; Elfi Turpinrn2008 - Courants - Toko University - p.51', '', 0, 'bio2', 0),
(107, 1, 1380707717, '02/10/2013', 7, 'images/Joey_Villemont-Relax1.jpg==Exhibition view, The Project Room, Glasgow||images/Joey_Villemont-Relax2.jpg==Exhibition view, The Project Room, Glasgow||images/Joey_Villemont-Relax17.jpg==Sweet Break/Pause Douceur, Digital print on velvet (75 x 100cm)||images/Joey_Villemont-Relax16.jpg==Pause Café/Coffee Break, Digital print on Linen (75 x 100cm)||images/Joey_Villemont-Relax15.jpg==(Detail)||images/Joey_Villemont-Relax4.jpg==Exhibition view, The Project Room, Glasgow||images/Joey_Villemont-Relax6.jpg==Exhibition view, The Project Room, Glasgow||images/Joey_Villemont-Relax8.jpg==(Detail), Relaxed Icon II||images/Joey_Villemont-Relax9.jpg==(Detail), Relaxed Icon II||images/Joey_Villemont-Relax5.jpg==Exhibition view, The Project Room, Glasgow||images/IMG_0614_web.jpg==Pause Calin/Cuddle Break, Digital Print on Satin (75 x 100cm)||images/Joey_Villemont-Relax7.jpg==Relax Chair, wood, digital print on cotton||images/Joey_Villemont-Relax19.jpg.jpg==Exhibition view, The Project Room, Glasgow||images/Joey_Villemont-Relax13.jpg==(Detail)||images/Joey_Villemont-Relax14.jpg==(Detail)||images/Joey_Villemont-Relax11.jpg==(Detail)||images/Joey_Villemont-Relax12.jpg==(Detail)', 'RELAX', '28.09.2013 - 05.10.2013\r\nThe Project Room, Glasgow\r\n\r\n[i]&#039;Well being and relaxation alongside with meditation are key elements to survive in a fast moving hyper connected society. Through a multi layered installation made of textile printing, wall drawing, furniture, sculpture, and ready made Joey Villemont engages us with the primitive feeling of relaxation. Some digitally &#039;relaxed&#039; figures of  Fido Dido  invites us to sit back and enjoy a break comfortably shoggled up against branded cushions&#039;. [/i]\r\n\r\n[a=http://www.relaax.in]www.relaax.in[/a]', '', 1, 'relax', 16),
(103, 1, 1379458516, '18/09/2013', 6, 'images/relaxmixfly.jpg', 'RELAX', 'Opening Saturday 28.09.2013', '', 0, 'relax', 63),
(104, 1, 1379841242, '22/09/2013', 6, 'images/tributetothesun.jpg==Tribute to the Sun, 2010||images/markings.jpg==Arrow, 2010||images/markings3.jpg==Arrow, 2010||images/impala1.jpg==Impala Celebration, 2010||images/IMG_0092.jpg==Les Rêveurs, 2010||images/revlist.jpg==Les Rêveurs (setlist), 2010||images/twpstr.jpg||images/WPS.jpg==The West Princes Stone, 2010||images/IMG_2013.jpg==The West Princes Stone, 2010||images/cheshire.jpg==Cheshire Jumper, 2010||images/bookedge.jpg==Fantastic Architecture, 2010||images/Strangers-in-the-woods.jpg==Strangers in the woods||images/SUNSETstring.jpg==Sunset Strings, 2010||images/PRISMUSSOLSTICECAMP.jpg==Prismus Solstice Camp with wood||images/COLORHUT.jpg==Color Hut, 2010||images/IMG_090.jpg==Sunburst, 2010||images/WRS.jpg==Sunset, 2009||images/WRS2.jpg==Sunset, 2009||images/pacificpalissade2.jpg==Pacific Palissade, 2009||images/primitive.jpg==Primitive, 2009||&lt;iframe src=&quot;http://player.vimeo.com/video/2664129?portrait=0&quot; width=&quot;601&quot; height=&quot;453&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;==The Dreamers, 2009', '2009-2010', 'Woks 2009-2010', '', 0, '2009-2011', 43),
(102, 1, 1373294658, '08/07/2013', 6, '&lt;object width=&quot;853&quot; height=&quot;480&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;//www.youtube.com/v/zgmo7zhYzpM?version=3&amp;amp;hl=fr_FR&quot;&gt;&lt;/param&gt;\r\n&lt;param name=&quot;wmode&quot; value=&quot;transparent&quot; &gt;&lt;/param&gt;\r\n&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;//www.youtube.com/v/zgmo7zhYzpM?version=3&amp;amp;hl=fr_FR&quot; wmode=&quot;transparent&quot; type=&quot;application/x-shockwave-flash&quot; width=&quot;853&quot; height=&quot;480&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot;&gt;&lt;/embed&gt;&lt;/object&gt;', 'Granito Light Show', 'HD Video Loop\r\n(Cocktail Single Screen edit)\r\n22min\r\n2013', '98;', 1, 'granito-lightshow', 62),
(105, 1, 1379843149, '22/09/2013', 6, 'images/magicblanket2.jpg==Magic Blanket, 2011||images/sunrise1.jpg==Sunrise, 2011||images/pantheon2.jpg==Motorhead Totem, 2011||images/montrouge2.jpg==Memphis Totem, 2011||images/pantheon4.jpg==Mr Happy Face Totem, 2011||images/EVEL.jpg==Evel Knievel Totem, 2011||images/standingstones.jpg==Standing Stones, 2011', '2011', 'Works 2011', '', 0, '2011', 44),
(106, 1, 1380409246, '29/09/2013', 6, 'images/RELAAXCAPTUREWEB.jpg==Screen shot / Pause café', 'relaax.in', 'Relaax.in is an alternative anti-stress online project by Joey Villemont. It has been set up to create a soothing atmosphere and expel anxiety of digital platform use.\r\n\r\n[a=http://www.relaax.in]WWW.RELAAX.IN[/a]', '', 1, 'relaaxin', 63),
(109, 1, 1406471430, '27/07/2014', 6, 'images/IMG_9840_WEB.jpg==Installation view, Intermedia Gallery, Glasgow||images/IMG_9895_WEB.jpg==Portrait #1, enamel badges and drawing 60x85 cm||images/IMG_9849_WEB.jpg==Installation view, Intermedia Gallery, Glasgow||images/IMG_9870_WEB.jpg==Vest, 2014.||images/IMG_9848_WEB.jpg==Primary Strokes, 2014. (Made in collaboration with Sian Patterson)||images/IMG_9868_WEB.jpg==Installation view, Intermedia Gallery, Glasgow||images/IMG_9857_WEB.jpg==Personal Shopper, 2014. Mixed media||images/IMG_9837_WEB.jpg==Installation view, Intermedia Gallery, Glasgow||images/IMG_9864_WEB.jpg==Installation view, Intermedia Gallery, Glasgow||images/IMG_9883_WEB.jpg==Installation view, Intermedia Gallery, Glasgow||images/IMG_9866_WEB.jpg==Installation view, Intermedia Gallery, Glasgow||images/IMG_9894_WEB.jpg==Installation view, Intermedia Gallery, Glasgow', 'Studies for A Collection', '25.07.2014 - 10.08.2014\r\nIntermedia/CCA Glasgow\r\n\r\nThis exhibition follows Villemont&#039;s ongoing interest in fashion shows and contemporary art displays of the early 20th century. &#039;Studies for a collection&#039; will play with the ideas and look of a fashion showroom and explore what it shares in common with an exhibition space through sculptural garments and retail display structures.\r\nInspired by fashion study books and fashion illustration for this show, Villemont is interested in a system of hybridation : the way an idea or a pattern can evolve successively from a logo, a monogramme, a system, disseminating brand identity through a multitude of shapes and products.\r\nUsing mainly primary colors, &#039;Studies for a Collection&#039; has emerged from a series of attempts that have become the beginnings of a prêt-à-porter showroom surounded by handcrafted and inspirational byproducts.', '', 1, 'studies-for-a-collection', 64),
(110, 1, 1416679039, '22/11/2014', 6, 'images/R0000998_800.jpg==Exhibition view - Paradise, Nantes||images/R0000679_8002.jpg==Studies (Check shirt), 2014||images/R0001028_800.jpg==Reflexion face, 2014||images/R0001008_800.jpg==Exhibition view - Paradise, Nantes||images/R0000758_800.jpg==Blue Jeans/High Stool, 2014||images/R0001005_800.jpg==Exhibition view - Paradise, Nantes||images/R0000733_8002.jpg==Studies (Check pants), 2014||images/R0000732_8002.jpg==Studies (portrait #3), 2014||images/R0001027_8002.jpg==Studies (mirror), 2014||images/R0000995_800.jpg==Exhibition view - Paradise, Nantes||images/R0000724_8002.jpg==Studies (patterned shirt), 2014||images/R0001017_800.jpg==Exhibition view - Paradise, Nantes||images/R0000716_8002.jpg==Studies (mirror #2), 2014||images/R0000718_8002.jpg==Studies (Portrait #4), 2014||images/R0000715_8002.jpg==Studies (Yellow stripe shirt), 2014', 'My Problem With Abstraction', '15.11.2014 - 06.12.2014\r\nGroup show with Camille le Houezec\r\nParadise, Nantes\r\n', '', 1, 'my-problem-with-abstraction', 65);

-- --------------------------------------------------------

--
-- Structure de la table `session`
--

CREATE TABLE IF NOT EXISTS `session` (
  `id_session` int(10) NOT NULL auto_increment,
  `login` varchar(20) NOT NULL default '',
  `expiration` int(150) NOT NULL default '0',
  `ip` varchar(25) NOT NULL default '',
  `passin` int(4) NOT NULL default '0',
  PRIMARY KEY  (`id_session`)
) ENGINE=MyISAM  DEFAULT CHARSET=utf8 AUTO_INCREMENT=274 ;

--
-- Contenu de la table `session`
--

INSERT INTO `session` (`id_session`, `login`, `expiration`, `ip`, `passin`) VALUES
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